“[The Other Mother] paints an electrifyingly complex and explosively gripping portrait of contemporary, have-it-all motherhood.”
Booklist

Two mothers. Different choices. A friendship on uncertain ground.
Amanda, a book editor, is returning to work after the birth of her daughter. Her neighbor Thea is raising three children at home. A storm brings Amanda’s family into Thea’s house; the arrangement grows more intimate when Thea begins caring for Amanda’s baby.
What begins as help becomes a tangle of gratitude, envy, affection, and judgment. In alternating chapters, Amanda and Thea each tell their side of the friendship, revealing the childhood experiences and private doubts behind choices that look so certain from next door.
Finally, hours after Amanda was due back, there was a scrabbling sound at the door. I got up, then sat back down on the couch. Malena had fussed herself back to a temporary sliver of sleep.
Amanda flurried into the kitchen. She sighed even as she opened the door. She dumped a briefcase and a coat on the kitchen floor. Her face was etched with worry, and with something else.
"I can't do this, I can't leave her," she said. Just as I was thinking, "I can't do this, I can't keep taking her." But I didn't say it. Amanda was crying. I'd never seen her cry, even on the night her house was crushed, even the first morning away from her baby, even with relief on the nights she came late to pick her up. But she'd never been this late.
"Why are you so late?" I asked, more snappish than I'd intended.
"God, Thea," she said. She sat beside me and reached for Malena, unbuttoning her blouse. "There was a train accident. I tried to call, but there was no reception and then my battery died. It was stupid, and I didn't know what to do. Someone was hit by the train. Someone was so sad he jumped in front of the train. And the brake screamed and there was this thunk, even way back in my car. We killed him. I don't really want to think about it, but I still looked really quickly, when they finally let us onto the platform to walk to the shuttles. I won't tell you what it looked like." She gasped, sobbed a little more.
"We had to wait for hours, and I was late to start with, and then the bus got caught in traffic in Lyndhurst. It was so awful, his arm -- I can't talk about this."
Malena had latched on, and Amanda's face softened with the relief and pleasure of nursing. In her cream-colored suit with her blouse unbuttoned, she leaned to the side while she nursed, slumping toward me, then resting against me. It didn't feel wrong. I wasn't angry with her anymore. I was trying to be nicer, to like her more. That had been my first instinct, to like Amanda. She was certainly heavier than a child, but as temporarily wretched as a 2-year-old who's fallen off the bigger kids slide at the playground. I let her lean. I could smell her milk, sweet and grassy.
"I can't leave her. It isn't worth it," she said again, turning her face to me. There was a ghost of plum-colored lipstick on her lips. I'd never noticed how soft her mouth looked, how the top lip peaked in a perfect bow.
"It's okay, sweetheart," I said forgetting for a second that she wasn't one of mine.
“[The Other Mother] paints an electrifyingly complex and explosively gripping portrait of contemporary, have-it-all motherhood.”
Booklist
“[The Other Mother] is a thoughtful, multi-faceted look at what divides and unites mothers.”
National Public Radio
“The Other Mother belongs in a new fiction genre: mommy-war lit. Mothers of infants through the kindergarten set will find it compelling be they stay-at-home mothers or working. Author Gwendolen Gross' best insights are into how the two women's own childhoods and moms have shaped their choices. And how motherhood seems to trigger a biological urge to judge other females.”
USA Today (Mommy Lit Book Roundup)
“[In The Other Mother] not everything is resolved, but some things are better understood, which is asking for, and getting, a lot.”
New York Daily News
“Gross has crafted a novel that succeeds on an emotional level as well as an intellectual one.”
Toronto Star
“Alternating chapters from a working mother and a stay-at-home mom provide interesting perspectives from both sides of the mommy wars.”
OK! magazine
“The battle of The Other Mother is a dark look into everything that tears us apart and brings us closest together.”
Dame magazine
“The depth of Gross' portraits, and the nobility she imbues both moms with, renders a thoughtful account of how, for modern mothers, there is no easy choice.”
Boston Now
“Gross' ability to create fiction of such high caliber makes this a must-read for mothers with literary interest...the lovely complexity of the author's writing and her ability to create sensual intimacy make all 300 pages of this text a delight.”
The Roanoke Times
“Gross’s third novel […] documents the front lines of the ‘Mommy Wars,’ but its real strength lies in exposing the complex inner battlefields motherhood can open up.”
“The book was amazing...As the story continues we truly get to know both Moms. OMG. I loved them both. I hated them both. I wanted to hug them both. I wanted to shake them both. I wanted to crawl into the pages and bang their heads together. There was so much of ME in both of them.”
“I LOVED this book. For me, the best part of this book was the look inside the stay at home mom's house. Since I work full time and always have, I have no idea what it would be like to be a stay at home mom. This book gave me a glimpse into this life.”
This Mama's Trip blog
“The Other Mother clearly illustrates the self-doubt that is a part of parenthood, the firm convictions that we carry with us - be they right or wrong, and the special treat of being able to really see issues from a perspective other than our own...
Congratulations to you, Gwendolen, for giving us the gift of new perspectives and for reminding us that as a parent, each decision made is much more complex and very often much more agonizing that one might originally consider.”
Go-Go Mommy blog
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